White symmetry

DSC_2172NIKON D40X (82mm, f/5.3, 1/80 sec, ISO100)
Early morning after the biggest snowfall of the last 20 years here. I was fascinated by the symmetry given by the trees and the garden seats. Also the “sky” done by the branches was intriguing. The image is b/w, but there were so little different colors, that also in color would have been almost the same.

Update: this is my first image which has been accepted on , a very interesting artsproject. If you like great images, take a look there.

Update2: This image was selected as a noteworthy in the Photofriday challenge with the “White” theme on 20 January 2009. Thanks to all who voted for this image!

White Countryside

DSC_1883NIKON D40X (112mm, f/5.6, 1/13 sec, ISO100)
Early morning (I like this period of the day), travelling in coutryside, I saw that abandoned farm. There was still snow on the ground (even if not just fallen down). I was intrigued too by the solitary and naked trees: there’s a sum between the empty building, the lonely trees and the flat white ground. Loneliness maybe the right word to describe it

Cold morning

DSC_1875NIKON D40X (55mm, f/4.8, 1/40 sec, ISO100)
It was a really cold morning. The frost on the grass was quite thick even for the season. I took this image to communicate the sense of abandon which often in winter has the countryside. It’s a strong feeling, which together with silence leave you breathless. The use of sepia tint enhance this feeling.

Morning mist

dsc_1557NIKON D40X (105mm, f/5.6, 1/125 sec, ISO100)

Early morning, going to work driving in the Asti area, the first silent mists were all around me. I decide to stop briefly to take some pictures. In my mind the evanescence of the far background, the few trees in the middle and the soft sunlight render well the idea of the upcoming autumn season.

Sunrise among poplars

dsc_1604NIKON D40X (105mm, f/5.6, 1/160 sec, ISO100)
Travelling to Milan on the highway I was looking to the autumn sunrise. When I saw on the side a poplar field, I quickly stopped to take this risky photo with the sun among them. Why risky? Because the poplar are thin, and the wind easily move them, so a multiple HDR shot means having some ghosts in the image. If you look carefully, you can see them. They can be corrected, of course, but I found that they gave to the image some kind of 3D appearance, so I left them.