Waves against pier: some of them looks like smashing on it, instead of flow by side. Interesting parallel between the spaced waves and the vertical pier supports, both with apparent repeated texture.
NIKON D40X (200mm, f/5.6, 1/400 sec, ISO100)
… did I already told that the rape flowers are yellow? Well, anyway looks that rape flowers are really yellow! These strongly colored patch among other cultures are a real sign that spring is really started. After a long, cold and dark winter, together to better temperatures it’s a really pleasure to search for some interesting pattern to shoot.
NIKON D40X (20mm, f/9, 1/10 sec, ISO100)
I was intrigued by the description of a small lake close to Bardonecchia (NW Italy), called “Green Lake” because it should look green, so I went there to check how much green it was… and it was a lot! The color is caused by a sort of green seaweed on the lake bottom. It is shallow, and the water is very clear, so the color of the seaweed is very, very evident, as you can see here. A wonderful walk in an enchanting valley.
NIKON D40X (18mm, f/5.6, 1/125 sec, ISO100)
Someone believe that just tropical islands have the sea transparent almost as glass. It’s not true: I took this picture at the Isle of Saint Honrat, just in front of Cannes (France), from the top of the old monaster of the Cistercian monks (which still today are living on the island).
NIKON D40X (200mm, f/10, 1/400 sec, ISO100)
Some fishermen were on the Ceresole Reale dam lake (yet quite empty in this season). I was fascinated by their positions and the few colors present: just the blue over the b/w. I had to wait until some cloud shadows came to help to avoid a too much white background. The result is an image with some fairy-tale setting.
NIKON D40X (82mm, f/5.3, 1/80 sec, ISO100)
Early morning after the biggest snowfall of the last 20 years here. I was fascinated by the symmetry given by the trees and the garden seats. Also the “sky” done by the branches was intriguing. The image is b/w, but there were so little different colors, that also in color would have been almost the same.
NIKON D40X (34mm, f/7.1, 1/2 sec, ISO100)
Looking to the sky I saw this color contrast between the evening blue and the reddish clouds. I moved to a position where the winterly naked trees could be included in the image. They added a sort of silhouette and texture to the image, so to avoid a picture quite similar to a flag reproduction. I see this image both graphic and abstract as well as a style research picture.
NIKON D40X (55mm, f/4.8, 1/40 sec, ISO100)
It was a really cold morning. The frost on the grass was quite thick even for the season. I took this image to communicate the sense of abandon which often in winter has the countryside. It’s a strong feeling, which together with silence leave you breathless. The use of sepia tint enhance this feeling.
I was coming back home when I saw that clouds, with the classical cauliflower-like shape (quite unusual in autumn season), and when I tried to look at them with the camera, I saw the red of the rooftops, which I did not noticed very well previously, so I included them in the picture.
Early morning, going to work driving in the Asti area, the first silent mists were all around me. I decide to stop briefly to take some pictures. In my mind the evanescence of the far background, the few trees in the middle and the soft sunlight render well the idea of the upcoming autumn season.
That old piece of wood root on the beach was intriguing. I had just started to examinate it when I shoot this picture, where the sea waves looks to have so much respect for that root that they did not have the courage to touch it, and prefer to keep around.