Classical clear sky of a windy day (looking carefully the pin leaf you the wind effect is noticeable), and a classical lighthouse (here in Cap Ferrat, France), results in a classical image, full of colors.
NIKON D40X (130mm, f/5.6, 1/80 sec, ISO100)
A lucky combination: a day with strong wind (so the sky is clear and blue), the position of the moon close to the mountain, and the subject is ready to be photographed. Just a touch of polarizer and it’s done. In my humble opinion, a minimalistic set of colors like here results in a stronger image.
NIKON D40X (130mm, f/5.6, 1/400 sec, ISO100)
Again from the Turin World Air Games 2009: at the end of the hang-gliding speedrun round, Andrea Iemma (an Italian pilot) uses his feet to slow down the speed just before landing on the raft. This image make me think to some kind of swan splashing in the lake. The backlight helped a lot to have the water textures and the mix of colors: an ideal shoot condition to get this kind of pictures from the shore line, in fact there were a lot of photographers to capture these magic moments.
NIKON D40X (18mm, f/8, 1/250 sec, ISO100)
The World Air Games, take place in Turin (Italy) from 6 to 9 June 2009 (you can see a lot of infos on the WAG2009 website). I’m one of the judges for the Paragliding Accuracy competition, which is on the Avigliana lake: The landing spot is on a raft in the lake (the same used by the paragliding aerobatics, hang-gliding aerobatics and speed-run competition). I don’t have much spare time to take photos during my duty as judge, but I’m lucky to be in a privileged position, so I was able to get some pictures while on the landing field. This is one of them. Hope you like it…
NIKON D40X (52mm, f/8, 1/160 sec, ISO100)
I was wandering in Haute Provence – South of France, when I found this beautiful mountain. It remebered me the famous “El Capitan” rock in Yosemite National Park (this one is smaller, anyway) and the Ansel Adams images, so I stopped and found a good location where take this shoot, of course in black and white like the Master.This is a tribute to him and his art.
NIKON D40X (82mm, f/5.3, 1/80 sec, ISO100)
Early morning after the biggest snowfall of the last 20 years here. I was fascinated by the symmetry given by the trees and the garden seats. Also the “sky” done by the branches was intriguing. The image is b/w, but there were so little different colors, that also in color would have been almost the same.
NIKON D40X (200mm, f/5.6, 1/250 sec, ISO100)
Coming back home and looking to the opposite side of the upcoming setting sun, I saw these hoar frosted trees and their background. The dark sky behind was too much appealing to just look and forget, so I quickly stopped (it was really cold) to take this shoot , an unperfect one, but -again- I liked too much the colors to avoid taking this one.
NIKON D40X (200mm, f/5.6, 1/50 sec, ISO100)
During a pause of snowfall I took this image from my home window. With the standard white balance setting it turned out to be so blue, and I kept this because it was the real light of that moment. For sure it looks very cold, and that’s true: it was a really cold day! The brushwood looks really drown in the snow.
NIKON D40X (200mm, f/5.6, 1/40 sec, ISO100)
Late evening, exiting as last visitors of the Infini.To Astronomical Park, I discovered this contrast between the Eremo technological antenna towers and the Alps behind them in their dusk colors. I just played a little bit with the colors to get a more realistic contrast feeling between the clouds (still in the sun) and the ground (already in the dark). I think that the contrast between the “vertical modern” and the “horizontal natural” subjects is an interesting comparison.
The autumn is leaving space for the winter. One of the signs of this period is the little frost you can find over a carpet of leafs in a public garden. Of course you need to wake up early in the morning to take this kind of pictures, because the frost is very delicate, and it’s quickly melted by the normal temperature of the period.
NIKON D40X (105mm, f/36, 13 sec, ISO100)
I was testing my brand new 4x ND filter on these small waterfalls, when my eye was catched by a strange stone which was looking like flying few centimeters over the water, as an effect of a magician trick. I decided to change the image framing, so to have the stone in the middle and the water, on the contrary than usual, not as the main subject of the image. Something against the standard rules (aren’t the rules made in order to be broken?)