Hot July sunday at the Place-Moulin lake. Very quiet an with beautiful greenish color on the water too. Just some side detail to show a bit of depth to the image, but the water colour would have been enough anyway.
During a party with live music I shooted this image, without great faith in what could be the result. When looking after the images, I discovered that the final effect was quite interesting (at least to my eyes, of course). For the curious, the group playing music is http://www.danceangels.com/ at http://www.cadelconte.com/
Early morning at the balcony. A curious coincidence make that jet contrail as a sharp turn (probably there were two) trace. Joining this with the bright warm colors of the rising sun and the cold blue sky, as well as the absolute calm of that moment make this image noteworthy for me. Hope for you too!
Taken from the Loccia lake, at the beginning of the Belvedere glacier in Macugnaga (NW Italy), during a day where the weather changed several times, showing the sinuosity of the various snow layers. Another image which is inspired by the Ansel Adams works (obviously).
2012 winter came late, but it was cold and with a lot of snow. I took this picture when snow was falling and the light was low. I like the division in multiple levels, giving an idea about the image depth.
Classical clear sky of a windy day (looking carefully the pin leaf you the wind effect is noticeable), and a classical lighthouse (here in Cap Ferrat, France), results in a classical image, full of colors.
The contrast between the inside and outside light has always fascinated me, and this candid image show this. Furthermore this picture make me think that the subject was curios about what’s over there, hence the title.
A backyard floor recently renewed has the trace of the tires and the cars which passed there. An image about randomness, repetitive patterns and abstractionism. Something different from the daily usual experience, especially because it’s under the sight of everyone.
Yes, I know, I’m a bit late in celebrating the International Women’s Day, but I wasn’t able to publish this image in time. Anyway this is my little contribution to this important celebration. Women deserve all the support they can get, and even more. This mimosa (technically Silver Wattle) image, thanks to a windy day, has bright colors and a deep blue sky. Yellow and blue stay together very well.
During a trip to the Mont Blanc, at the Aguille du Midi, I catch my wife staring at the mountain top from a window in the hallway. The contrast between the outside light and the inside just left my wife image emerging from the dark. It was a lucky shot, done without pose and organization.
Glamorous Elena, a beautiful Van’s RV-7 belonging to a friend of mine, resting in the afternoon in Valdera airfield. The plane shape from this angle, the propeller position, diagonal to the image, and the strong colors are the reason for this picture.
NIKON D40X (130mm, f/5.6, 1/80 sec, ISO100) A lucky combination: a day with strong wind (so the sky is clear and blue), the position of the moon close to the mountain, and the subject is ready to be photographed. Just a touch of polarizer and it’s done. In my humble opinion, a minimalistic set of colors like here results in a stronger image.
NIKON D40X (200mm, f/7.1, 1/125 sec, ISO100) Trey Ratcliff is one of the world most known HDR prhotographer, and his site “Stuck in Customs” is very famous and appreciated. I have done this urban image with the idea of doing it in a similar way like he could have done it (maybe? Only Trey could tell!).
NIKON D40X (18mm, f/8, 1/250 sec, ISO100) Walking around the base of the castle of Les Baux de Provence (southern France)I saw this nice texture effect of the water flowing in the centuries on the vertical rocks, and I couldn’t resist to take a shoot. Despite to the apparencies, it’s not an HDR image.
NIKON D40X (200mm, f/5.6, 1/200 sec, ISO100) I found this plantation in the middle of Southern France. I like the regular disposition of the trees and that they’re almost all similar in size. The long lens compression effect helps a lot this image.
NIKON D40X (200mm, f/5.6, 1/640 sec, ISO100) Walking in Saintes-Marie-de-la-Mer (Camargue, France) shoreline, I saw these nice lod-looking streetlamps, and with the light cloud overcast it was easy, just pushing the contrast a bit, obtain an almost black or white image.
NIKON D40X (150mm, f/5.6, 1/640 sec, ISO100) The WAG 2009 (World Air Games) finished on June 13, 2009, but the next day an airshow took place at Turin Aeritalia airport. Many interesting planes (but also many other flying machines) were present. Among them an erobatic team using ultralight planes (Alpi Pioneer). I’ve shoot a lot of images, but I prefer this one for it’s colors and for the shapes of the smoking trails. The diagonal main line and off-centered subjects adds even more dynamism to the picture.
NIKON D40X (130mm, f/5.6, 1/400 sec, ISO100) Again from the Turin World Air Games 2009: at the end of the hang-gliding speedrun round, Andrea Iemma (an Italian pilot) uses his feet to slow down the speed just before landing on the raft. This image make me think to some kind of swan splashing in the lake. The backlight helped a lot to have the water textures and the mix of colors: an ideal shoot condition to get this kind of pictures from the shore line, in fact there were a lot of photographers to capture these magic moments.
NIKON D40X (200mm, f/10, 1/400 sec, ISO100) Some fishermen were on the Ceresole Reale dam lake (yet quite empty in this season). I was fascinated by their positions and the few colors present: just the blue over the b/w. I had to wait until some cloud shadows came to help to avoid a too much white background. The result is an image with some fairy-tale setting.
NIKON D40X (52mm, f/8, 1/160 sec, ISO100) I was wandering in Haute Provence – South of France, when I found this beautiful mountain. It remebered me the famous “El Capitan” rock in Yosemite National Park (this one is smaller, anyway) and the Ansel Adams images, so I stopped and found a good location where take this shoot, of course in black and white like the Master.This is a tribute to him and his art.
NIKON D40X (18mm, f/5.6, 1/125 sec, ISO100) Walking in Turin, I passed by chance under the tallest (as for today) private building of the town. Of course it’s small if compared with other skyscrapers (this has 19 floors and is 109 m. high, built in 1931), anyway it stretch skywards if compared with the surrounding blocks. It’s tall enough to play with geometry lines when an image is shooted close and below.
NIKON D40X (38mm, f/4.5, 1/40 sec, ISO100) Flying over the Alps, coming back home in the evening, I noticed the clouds below moved by strong winds in many waves, following the orography of the mountains. I found interesting this effect, especially if compared with the clear sky over them. I choose to use black and white because it stress the attention to the wave shapes.
Update: this image has been one of the 15 most popular pictures in the weekly themes by VFXY for the July 24, 2009 week, when the theme was “Null or Empty”
NIKON D40X (18mm, f/7.1, 1.3 sec, ISO100) This is a very classical style picture, very didactic (also known as a “postcard picture”) of the Castle of Rivoli. It’s style was inspired by the wonderful HDR images by Trey Ratcliff blog Stuckincustoms.com. Walking around the castle, I found what was looking to me as a good place and a good light to shoot a picture like the Trey ones.
NIKON D40X (82mm, f/5.3, 1/80 sec, ISO100) Early morning after the biggest snowfall of the last 20 years here. I was fascinated by the symmetry given by the trees and the garden seats. Also the “sky” done by the branches was intriguing. The image is b/w, but there were so little different colors, that also in color would have been almost the same.
Update: this is my first image which has been accepted on , a very interesting artsproject. If you like great images, take a look there.
NIKON D40X (200mm, f/5.6, 1/50 sec, ISO100) During a pause of snowfall I took this image from my home window. With the standard white balance setting it turned out to be so blue, and I kept this because it was the real light of that moment. For sure it looks very cold, and that’s true: it was a really cold day! The brushwood looks really drown in the snow.
NIKON D40X (200mm, f/36, 1/2 sec, ISO100) Cold, ugly, with snow and rain. These are the adjective which came up to my mind describing this day. Looking the gray sky I saw anyway these roof tiles, with their quiet order which doesn’t care of the weather. I like their strong appearance, and their classical color. The result is this graphical and somehow abstract (again!) image.
NIKON D40X (34mm, f/7.1, 1/2 sec, ISO100) Looking to the sky I saw this color contrast between the evening blue and the reddish clouds. I moved to a position where the winterly naked trees could be included in the image. They added a sort of silhouette and texture to the image, so to avoid a picture quite similar to a flag reproduction. I see this image both graphic and abstract as well as a style research picture.
NIKON D40X (40mm, f/7.1, 7.1 sec, ISO100) I had some spare time to spend, so I climbed up to the square in front of the Rivoli castle, with the Collegiata Alta bell-tower and Turin hill in the background . Even if not late, it was almost night, and i took some shots to get some colors which are available just for few minutes at the dusk. Color balance in this kind of image is always a compromise, and the contrast between the cold sky and the warm artificial light usually results in nice postcard-like pictures, especially using HDR technique.
NIKON D40X (55mm, f/4.8, 1/40 sec, ISO100) It was a really cold morning. The frost on the grass was quite thick even for the season. I took this image to communicate the sense of abandon which often in winter has the countryside. It’s a strong feeling, which together with silence leave you breathless. The use of sepia tint enhance this feeling.