NIKON D40X (150mm, f/5.6, 1/402 sec, ISO100)
The oblique light which graze the snow make it looking similar to velvet. Light and shadows give the idea of smooth waves. I was impressed by the poetry of the evening light, and I tried to capture it.
NIKON D40X (82mm, f/5.3, 1/80 sec, ISO100)
Early morning after the biggest snowfall of the last 20 years here. I was fascinated by the symmetry given by the trees and the garden seats. Also the “sky” done by the branches was intriguing. The image is b/w, but there were so little different colors, that also in color would have been almost the same.
NIKON D40X (200mm, f/5.6, 1/250 sec, ISO100)
Coming back home and looking to the opposite side of the upcoming setting sun, I saw these hoar frosted trees and their background. The dark sky behind was too much appealing to just look and forget, so I quickly stopped (it was really cold) to take this shoot , an unperfect one, but -again- I liked too much the colors to avoid taking this one.
NIKON D40X (55mm, f/4.8, 1/40 sec, ISO100)
It was a really cold morning. The frost on the grass was quite thick even for the season. I took this image to communicate the sense of abandon which often in winter has the countryside. It’s a strong feeling, which together with silence leave you breathless. The use of sepia tint enhance this feeling.
The autumn is leaving space for the winter. One of the signs of this period is the little frost you can find over a carpet of leafs in a public garden. Of course you need to wake up early in the morning to take this kind of pictures, because the frost is very delicate, and it’s quickly melted by the normal temperature of the period.