The contrast between the inside and outside light has always fascinated me, and this candid image show this. Furthermore this picture make me think that the subject was curios about what’s over there, hence the title.
I’ve been invited by some friends for a dinner in an airfield. The dinner took place in the hangar, where the planes were all around (literally!). Of course a great light contrast, and a result which looks quite surreal and, in my eyes, interesting. Here it is.
When visiting Messer Tulipano tulip exposition at the Castello di Pralormo, I saw this dandelion staying alone far from the tulips field. It set off me mixed feelings: loneliness, distinction, parting, standing out, … don’t know what’s the most appropriate, anyway here it is.
Yes, I know, I’m a bit late in celebrating the International Women’s Day, but I wasn’t able to publish this image in time. Anyway this is my little contribution to this important celebration. Women deserve all the support they can get, and even more. This mimosa (technically Silver Wattle) image, thanks to a windy day, has bright colors and a deep blue sky. Yellow and blue stay together very well.
During a trip to the Mont Blanc, at the Aguille du Midi, I catch my wife staring at the mountain top from a window in the hallway. The contrast between the outside light and the inside just left my wife image emerging from the dark. It was a lucky shot, done without pose and organization.
The Lomçovak (end-over-end tumble) aerobatic maneuver perfomed by the Frecce Tricolori (the Italian military aerobatic team) soloist plane during the 100th anniversary Cameri airport show. The blue of the sky and the spinning shape of the white smoking trail had a good chromatic contrast.
NIKON D40X (55mm, f/5.6, 1/125 sec, ISO100) Walking in the surroundings of my home, I saw the great contrast between the oblique row of corns, the bare tree and the sky. I admit I pushed a bit with contrast, saturation and so on, but this time, NO HDR! 🙂
NIKON D40X (200mm, f/5.6, 1/640 sec, ISO100) Walking in Saintes-Marie-de-la-Mer (Camargue, France) shoreline, I saw these nice lod-looking streetlamps, and with the light cloud overcast it was easy, just pushing the contrast a bit, obtain an almost black or white image.
NIKON D40X (36mm, f/14, 1/60 sec, ISO100) An empty high mountain creek bed, where the remains of an old oil barrel (I suppose it is: I can’t be sure about what it was!) demonstrates what happens when laying on the bottom together with rolling stones and flowing water. The vivid rust color has a great contrast with the stone background, which seems a bit a lunar landscape.
NIKON D40X (90mm, f/7.1, 1/800 sec, ISO100) Sunset close to the Turin Politecnico Remote Heating Plant. There was a interesting light contrast between the golden metallic elements (looking like gold bars) and the clear sky.
NIKON D40X (34mm, f/7.1, 1/2 sec, ISO100) Looking to the sky I saw this color contrast between the evening blue and the reddish clouds. I moved to a position where the winterly naked trees could be included in the image. They added a sort of silhouette and texture to the image, so to avoid a picture quite similar to a flag reproduction. I see this image both graphic and abstract as well as a style research picture.
NIKON D40X (40mm, f/7.1, 7.1 sec, ISO100) I had some spare time to spend, so I climbed up to the square in front of the Rivoli castle, with the Collegiata Alta bell-tower and Turin hill in the background . Even if not late, it was almost night, and i took some shots to get some colors which are available just for few minutes at the dusk. Color balance in this kind of image is always a compromise, and the contrast between the cold sky and the warm artificial light usually results in nice postcard-like pictures, especially using HDR technique.
NIKON D40X (200mm, f/5.6, 1/40 sec, ISO100) Late evening, exiting as last visitors of the Infini.To Astronomical Park, I discovered this contrast between the Eremo technological antenna towers and the Alps behind them in their dusk colors. I just played a little bit with the colors to get a more realistic contrast feeling between the clouds (still in the sun) and the ground (already in the dark). I think that the contrast between the “vertical modern” and the “horizontal natural” subjects is an interesting comparison.