NIKON D40X (200mm, f/5.6, 1/40 sec, ISO100) Late evening, exiting as last visitors of the Infini.To Astronomical Park, I discovered this contrast between the Eremo technological antenna towers and the Alps behind them in their dusk colors. I just played a little bit with the colors to get a more realistic contrast feeling between the clouds (still in the sun) and the ground (already in the dark). I think that the contrast between the “vertical modern” and the “horizontal natural” subjects is an interesting comparison.
NIKON D40X (112mm, f/5.6, 1/13 sec, ISO100) Early morning (I like this period of the day), travelling in coutryside, I saw that abandoned farm. There was still snow on the ground (even if not just fallen down). I was intrigued too by the solitary and naked trees: there’s a sum between the empty building, the lonely trees and the flat white ground. Loneliness maybe the right word to describe it
The autumn is leaving space for the winter. One of the signs of this period is the little frost you can find over a carpet of leafs in a public garden. Of course you need to wake up early in the morning to take this kind of pictures, because the frost is very delicate, and it’s quickly melted by the normal temperature of the period.
NIKON D40X (105mm, f/36, 13 sec, ISO100) I was testing my brand new 4x ND filter on these small waterfalls, when my eye was catched by a strange stone which was looking like flying few centimeters over the water, as an effect of a magician trick. I decided to change the image framing, so to have the stone in the middle and the water, on the contrary than usual, not as the main subject of the image. Something against the standard rules (aren’t the rules made in order to be broken?)
NIKON D40X (70mm, f/11, 1/2.5 sec, ISO100) Seen that the global warming effect seems to reduce the amount of snow which falls in winter, a future Christmas card image shooted in locations similar to this one (Lanzo Valley) could look alike this: trees with no leaf, just evergreens emerging from the quiescent nature, nothing white. The necessity of a more balanced approach towards the environment become more evident day by day, as pointed out by these kind of indicators too. The fact that this image could be considered appealing from the visual point of view is another story.
I was looking from home window during a heavy rain period, and among a shower and another, some sun rays peeped out through the clouds. They were looking to me like a sign of presence of a superior authority. I quickly took my camera and shoot this image.
I was coming back home when I saw that clouds, with the classical cauliflower-like shape (quite unusual in autumn season), and when I tried to look at them with the camera, I saw the red of the rooftops, which I did not noticed very well previously, so I included them in the picture.
Early morning, going to work driving in the Asti area, the first silent mists were all around me. I decide to stop briefly to take some pictures. In my mind the evanescence of the far background, the few trees in the middle and the soft sunlight render well the idea of the upcoming autumn season.
NIKON D40X (105mm, f/5.6, 1/160 sec, ISO100) Travelling to Milan on the highway I was looking to the autumn sunrise. When I saw on the side a poplar field, I quickly stopped to take this risky photo with the sun among them. Why risky? Because the poplar are thin, and the wind easily move them, so a multiple HDR shot means having some ghosts in the image. If you look carefully, you can see them. They can be corrected, of course, but I found that they gave to the image some kind of 3D appearance, so I left them.