NIKON D40X (105mm, f/36, 13 sec, ISO100) I was testing my brand new 4x ND filter on these small waterfalls, when my eye was catched by a strange stone which was looking like flying few centimeters over the water, as an effect of a magician trick. I decided to change the image framing, so to have the stone in the middle and the water, on the contrary than usual, not as the main subject of the image. Something against the standard rules (aren’t the rules made in order to be broken?)
NIKON D40X (70mm, f/11, 1/2.5 sec, ISO100) Seen that the global warming effect seems to reduce the amount of snow which falls in winter, a future Christmas card image shooted in locations similar to this one (Lanzo Valley) could look alike this: trees with no leaf, just evergreens emerging from the quiescent nature, nothing white. The necessity of a more balanced approach towards the environment become more evident day by day, as pointed out by these kind of indicators too. The fact that this image could be considered appealing from the visual point of view is another story.
It was a uncertain a day with uncertain weather. SometiNIKON D40X (65mm, f/5, 1/400 sec, ISO100) mes the sun won, sometimes not. I was looking at the sky often to check what was going to happen. Looking at this corrugated iron rooftp (underneath it there are cooling equipments) I was thinking that, maybe, isolating it from other building parts, just keeping it and the sky, could be a good idea. So I took the photo, and this image is the result, quite surreal. I’m almost sure that most viewers first impression is“what he hell is this?”, and yes, this is what happens when you concentrate the image just on a small part of what is in front of you. Without this “extreme” framing I believe that nobody (me first) was noticing that strange metal roof coverage. Technically speaking, I tried with several tricks to avoid the Moiré effect, but with very little results, so I leaved it as is.
I was looking from home window during a heavy rain period, and among a shower and another, some sun rays peeped out through the clouds. They were looking to me like a sign of presence of a superior authority. I quickly took my camera and shoot this image.
Unlike its color version, this b/w image highlights the wave-like shape of the clouds, and so I prefer this version. At a closer look, the tiles on the roofs seem to align in waves too, thus blending the two parts of the image
Often we do not note how many things are just over our normal line of sight. If you try to leave the horizon out, just keeping what points directly to the sky, a different world appears. That’s what I’ve done with this picture, where what looks like envious signs of the human attempt to reach the sky remains in their inadequacy if compared with the target.
I was coming back home when I saw that clouds, with the classical cauliflower-like shape (quite unusual in autumn season), and when I tried to look at them with the camera, I saw the red of the rooftops, which I did not noticed very well previously, so I included them in the picture.