Early morning, going to work driving in the Asti area, the first silent mists were all around me. I decide to stop briefly to take some pictures. In my mind the evanescence of the far background, the few trees in the middle and the soft sunlight render well the idea of the upcoming autumn season.
That old piece of wood root on the beach was intriguing. I had just started to examinate it when I shoot this picture, where the sea waves looks to have so much respect for that root that they did not have the courage to touch it, and prefer to keep around.
I took this picture inspired by the silence of the moment and the aluminium of the chair, a solitary presence in a solitary hallway. I think this description is a bit emblematic about some aspect of modern life.
I was tempted to convert the picture in B/W, but looking better I found the general “champagne” tonality of the image, which has anyway very few colors, appealing with this dominance, so I choose to keep it as is.
NIKON D40X (105mm, f/5.6, 1/160 sec, ISO100)
Travelling to Milan on the highway I was looking to the autumn sunrise. When I saw on the side a poplar field, I quickly stopped to take this risky photo with the sun among them. Why risky? Because the poplar are thin, and the wind easily move them, so a multiple HDR shot means having some ghosts in the image. If you look carefully, you can see them. They can be corrected, of course, but I found that they gave to the image some kind of 3D appearance, so I left them.
The almost regular division between empty and cultivated rows in this Barolo vineyard catch my eye for their graphic geometry. The compression effect of the long lens made the rest.